Nedgraphics Texcelle Program đź””
How does Texcelle stack up against competitors like AVA CAD/CAM or Kaledo by Lectra?
Work with distinct layers for background textures, main motifs, and borders. This makes subsequent edits and client-requested revisions far easier to manage.
đź“Ť Scaling, rotating, and recoloring complex designs can be done in seconds, allowing for rapid prototyping and client presentations. Training and Support
Standard drawing tools are modified in Texcelle to respect textile grids. Features include: Nedgraphics Texcelle Program
Developed as part of the broader NedGraphics textile suite, Texcelle has become the standard for high-end print studios, especially those dealing with .
What do you primarily design? (e.g., woven rugs, printed fashion, jacquard upholstery)
In textiles, a design must repeat perfectly to cover a continuous length of fabric. Texcelle excels at managing repeats—whether simple block repeats, half-drop, brick, or complex non-rectangular repeats. The software ensures that the edges of a design tile match flawlessly, eliminating the visual "seams" that can ruin a textile pattern. How does Texcelle stack up against competitors like
Creating seamless horizontal and vertical repeats is automated. This eliminates the risk of "seam lines" or "breaks" in the pattern, which is critical for wall-to-wall carpeting and large-scale upholstery. Integration with Loom Technology
Fabric is not flat paper. When printed flat and then sewn into a 3D object (like a pillow or dress), the pattern may warp. Texcelle includes a simulation and "Weft/Weave" distortion tool that pre-works the design so that it looks straight and natural on the final product.
Texcelle offers a vast array of drawing tools designed for pixel-perfect accuracy. Designers can easily clean up scanned artwork, refine "jaggies" on curves, and ensure that every point in a pattern corresponds to a specific intersection. 2. Advanced Color Management đź“Ť Scaling, rotating, and recoloring complex designs can
For designers coming from a purely artistic background (using tools like Procreate or Photoshop), Texcelle can present a learning curve. It requires a "textile mindset"—thinking in terms of warp and weft, float lengths, and weave bindings rather than just layers and blend modes.
Many newcomers to digital textile printing ask: "Why can't I just use Photoshop?" While Photoshop is excellent for pixel-based manipulation, the Nedgraphics Texcelle Program offers specific advantages that generic software lacks:
