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Since its release, Laura, les ombres de l'été has been a magnet for polarized reactions. The film's greatest source of controversy is the age of its protagonist (Dawn Dunlap was 16 at the time of release) and the context of her nudity within a relationship with a much older man. The director, David Hamilton, had already built his entire career on photographing adolescent girls, often nude, a subject that consistently placed him at the heart of moral and legal debates.
The narrative intentionally uses slow pacing, minimalist dialogue, and classical ballet imagery to highlight the artistic process of sculpting. Note: For those searching for viewing options, such
The film contains (it is softcore/erotic art house), but it does feature full-frontal nudity of underage-looking characters (the actresses were of legal age, typically 18–20, but styled to appear younger). This is the source of enduring controversy.
as Laura : Her debut performance as the young, naive ballet dancer. The director, David Hamilton, had already built his
: Paul (played by James Mitchell) is a successful 40-year-old sculptor who reunites with his former lover, Marline (Maud Adams).
In a move that blurs the line between film promotion and fine art, Hamilton released a companion portfolio in 1979 to coincide with the film's debut. Titled Shadows of a Summer , the book is essentially a high-end collection of still photographs and on-set images from the film. For those who find the film's narrative lacking, the book serves as a purer distillation of Hamilton's vision, stripping away the dialogue and plot to focus entirely on the aesthetic that made him famous. This is the source of enduring controversy
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Though Laura is enthusiastic about posing for the sculpture, Sarah, who still harbors jealousy over her past relationship with Paul, forbids any direct contact. She offers a compromise: she will provide photographs of Laura for Paul to work from. He reluctantly agrees, and a sculpture begins to take shape from these images.