Taboo I-ii-iii-iv — -1979-1985-

This film is easily the finest adult film of all time. Even forgetting about the somewhat controversial theme, the scenes are HOT.

: Unlike many contemporary adult films, Taboo was noted for its professional cinematography, lighting, and attempt at substantial plot development.

Between 1979 and 1985, the adult film industry was in a state of transition. The comedic, plot-heavy romps of the early 70s were fading, making way for the "video age." But right in the middle of this shift came a series that proved adult films could still carry production value, genuine tension, and yes, a plot that audiences actually cared about (even if they were reluctant to admit it).

Here’s a solid, critical write-up for the original Taboo film series (1979–1985), suitable for a review, program note, or collector’s essay. Taboo I-II-III-IV -1979-1985-

The following work, , built upon the foundations laid by its predecessor, delving deeper into themes considered off-limits by mainstream standards. This piece sparked heated debates about artistic freedom and the role of the artist in society. Critics accused the work of being gratuitously explicit, while supporters argued that it was a bold commentary on the hypocrisy of societal norms.

What made Taboo I work wasn't just the shocking premise. It was the performance of Kay Parker. She didn't play the role as a predator; she played it as a lonely, confused woman succumbing to urges she knew were wrong. She brought a vulnerability to the screen that was rare. The film framed the narrative around guilt and desire, making the eroticism feel heavier and more "dangerous."

As the series progressed through the early 80s, it moved from the theatrical screenings of the first film into the burgeoning home video market. These early sequels maintained the series' reputation for high-end cinematography and scripts that actually attempted character development. This film is easily the finest adult film of all time

This period saw the beginning of the transition from 35mm film to home video formats like VHS and Betamax. This shift fundamentally changed how adult content was consumed and produced, leading to a massive increase in the volume of titles available to the public.

These versions of Taboo were all released by Milton Bradley and have since become classics in the world of party games.

For fans of cinema history, these four films remain essential viewing. Between 1979 and 1985, the adult film industry

The series is frequently cited for several key contributions to the genre during that period:

The first installment of the series, Taboo I, introduced audiences to the Parsons family, consisting of parents (played by Mark Hammer and Ellen Siano) and their two sons, Jim (played by Evan Williams) and John (played by Duncan Harris). The film revolves around the themes of incest, pedophilia, and the blurring of familial boundaries. The narrative takes a dark turn as the family's repressed desires and secrets are slowly uncovered, leading to a tragic confrontation with the consequences of their actions.

: Adult film legend Juliet Anderson plays Gina, Barbara’s eccentric confidante. Gina represents sexual freedom and liberation, providing a stark comedic and thematic contrast to Barbara’s paralyzed guilt.