Joe D-amato - Queen Of Elephants 2- Sahara -19... -
: While adult films often don't receive critical acclaim in traditional artistic circles, they are a part of the broader film industry and reflect certain aspects of culture and viewer preferences. D'Amato's work, in particular, has been noted for its contribution to the adult film genre and its evolution over the years.
In the sweltering expanse of the 1930s Sahara, —the legendary "Queen of Elephants"—found herself far from the lush jungles of her birthright. Clad in tattered khaki and a relic of a pith helmet, she led a rhythmic caravan of five massive African elephants across the burning dunes of the Grand Erg Oriental. She wasn't searching for water, but for the Lost Oasis of Zarzura
By 1998, Joe D'Amato was operating in a low-budget, digital-video frontier era. Many of his late-90s films were shot on 16mm or early digital video, then transferred to VHS and eventually DVD for international markets, especially Germany, France, and Japan. Queen of Elephants 2: Sahara likely followed this pattern.
(originally released simply as Sahara in 1998) is an Italian adult adventure film directed by the legendary exploitation auteur Joe D’Amato . Joe D-Amato - Queen Of Elephants 2- Sahara -19...
, believing the elephants were living mountains sent to herald the coming of the rains. For a brief moment, the Queen of Elephants became the Empress of the Sands, bridging two worlds with a single, dusty trunk-salute under the Saharan moon. classic pulp adventure for the next chapter?
This is where your keyword becomes truly specific. The "2- Sahara -19..." part of the search term points to the film "," which was released in 1998 and is explicitly marketed as a sequel. It is known by several titles, including " Queen of Elephants 2: Sahara " and " Sahara - Heiße Wüstennächte " (German for "Sahara - Hot Desert Nights").
was an erotic adaptation of the "Tarzan" or "Greystoke" myth, featuring a wild woman in Scotland and Kenya. Differences: While both films were directed by D'Amato and featured : While adult films often don't receive critical
Despite the English DVD title Queen of Elephants Part 2 Sahara , critics and viewers have noted several inconsistencies:
The "Sahara" subtitle emphasizes the specific geography: not the jungles of the first film, but the golden, windswept ergs (dune seas) of North Africa. D'Amato uses these locations to maximize visual impact – a few dunes, clever framing, and orange gels on lights transform a quarry outside Rome into the heart of the Libyan Desert.
Unlike standard indoor features of the late 90s, D’Amato insisted on shooting international locations. For Sahara , the production moved to Morocco , using real North African architecture, markets, and desert dunes to provide an authentic, expansive backdrop. Clad in tattered khaki and a relic of
Like most D’Amato films from 1985 onward, Queen of Elephants 2 would have been ignored by mainstream critics, reviewed only in niche genre magazines (e.g., Video Watchdog , Shock Cinema ). Scholars of Italian exploitation might praise its unpretentious energy, while others decry its animal exploitation (real elephants are unlikely, but D’Amato did use distressed animals in films like Endgame ). It would likely hold a 2.5/10 on IMDb, cherished only by connoisseurs of “so bad it’s good” cinema.
Set Pieces and Notable Scenes
By 1997, Joe D'Amato had already cemented his legacy with cult hits like Anthropophagus (1980) and Emanuelle and the Last Cannibals (1977). However, the late 90s marked a departure from gore toward high-production-value (for the genre) erotic video, often produced via his company, Filmirage.
His 1997–1998 films show him adapting to the direct-to-video market, maintaining his reputation as a "director who could make a film anywhere" by leveraging minimal budgets and high-passion subjects.