1080p Version Cinema Dts Superwide Open Matte | Jurassic Park 35mm
This article explores what makes the 35mm open matte version special, its comparison to official releases, and the technical aspects of the sound and image. 1. What is the Open Matte Version?
You are getting a 1080p encode of a 35mm scan.
A physical 35mm theatrical reel or a rare open-matte broadcast master is acquired and run through a professional HD telecine or laser scanner at 1080p resolution.
: Some viewers find the desaturated, darker look of the 35mm scan helps the 1993-era CGI blend more seamlessly with practical effects than the hyper-sharp 4K digital transfers. Audio Experience: Cinema DTS
The lush, organic jungle greens and amber tones look exactly as audiences saw them in 1993, free from modern teal-and-orange color grading trends. This article explores what makes the 35mm open
| Myth | Reality | |------|---------| | “Superwide” is original | No – JP was composed for 2.35:1 (scope) and 1.85:1 (flat). No official 35mm release is wider than 2.35:1. | | All 35mm prints are open matte | Only flat prints. Scope prints are hard-matted 2.35:1. | | Cinema DTS is “lossless” | It’s 16-bit 44.1kHz, compressed with APT-X100. Higher dynamic range than AC3, but not lossless. | | 35mm scan is sharp | It looks like film: grain, softness, scratches. Do not expect 4K Blu-ray clarity. |
Jurassic Park was filmed using the "open matte" technique. This means the 35mm camera captured a taller image (closer to a 4:3 or 16:9 ratio) than what was intended for the cinema screen. The top and bottom of the frame were later cropped for theaters.
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The Superwide aspect ratio offers a broad and immersive viewing experience, showcasing more of the action on screen. However, it's worth noting that the Open Matte technique can sometimes reveal unwanted elements in the frame, such as boom microphones or camera crew. You are getting a 1080p encode of a 35mm scan
The Holy Grail for many is a highly specialized archival project: the version. This variant combines the raw texture of original celluloid, the expansive framing of an open matte transfer, and the exact digital theatrical audio that shook theaters in the summer of 1993. The Power of the 35mm Scan
An Open Matte transfer restores the picture information that was originally hidden. You get a taller image, allowing you to see more of the dense jungle scenery, more of the T-Rex’s legs, and more of the raptors in the kitchen. It provides a more immersive, "full-screen" experience on modern 16:9 televisions without sacrificing resolution. 3. The Audio Experience: DTS Sound
The hunt for the ultimate home viewing experience of Steven Spielberg’s 1993 masterpiece, Jurassic Park , has led cinephiles and home theater enthusiasts down a fascinating rabbit hole. While official 4K Ultra HD Blu-rays and streaming versions are readily available, a dedicated community of preservationists prefers a very specific alternative: the .
“Superwide Open Matte” is semi-mythical for JP. Most 35mm flat prints are 1.85:1 open matte (more sky/ground), but not wider horizontally. Genuine “superwide” (like 2.00:1 or 2.20:1) is rare and often a fan upscale from multiple sources. Audio Experience: Cinema DTS The lush, organic jungle
The specific "35mm 1080p Cinema DTS Superwide Open Matte" circulating amongst private trackers and film forums (often sourced from a rare 1993 IB Technicolor print) offers specific visual signatures:
An removes these top and bottom bars. This reveals extra visual information at the top and bottom of the screen that was hidden in theaters.
This is a non-commercial fan project and is not available through official retailers. It is primarily shared within film preservation communities and can be found on: FanRestore : Community discussions and technical details are hosted on FanRestore Internet Archive
An "open matte" presentation removes this theatrical cropping, revealing the entire, un-matted frame as it was originally captured on the film negative. For Jurassic Park , this open matte frame is approximately 1.37:1 . This means you see significantly more of the image on the top and bottom, offering a radically different, and for many, a more immersive perspective.
