A fan-favorite "assault" of heavy riffs and rapid-fire vocal delivery.
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More than just a successful chart-topper, We Are Not Your Kind saved Slipknot from the trap of nostalgia. It proved that a band twenty years into their career could remain just as dangerous, unpredictable, and creatively vital as they were when they burst out of Iowa in 1999. Slipknot - We Are Not Your Kind -2019-
Songs like "Unsainted" and "The Devil in I" tackle themes of social media manipulation and the superficiality of modern life, while tracks like "Birthplace" and "Hate" grapple with issues of identity and belonging. Throughout, Taylor's vocals convey a sense of frustration and disillusionment, but also a determination to challenge the existing order and create a more authentic way of living.
The album’s title refers to a gathering of "maggots" (Slipknot fans) turning their backs on the divisiveness and hate of the outside world. A fan-favorite "assault" of heavy riffs and rapid-fire
Corey Taylor collaborated with legendary horror effects artist Tom Savini to create a translucent, scarred-flesh mask that evolved over the course of the touring cycle.
The album topped the charts in several countries, including the US Billboard 200 and the UK Album Chart, proving that 20 years into their career, Slipknot remained a commercial powerhouse. It proved that a band twenty years into
Roadrunner Records
For We Are Not Your Kind , Slipknot reunited with producer Greg Fidelman, who had previously engineered Vol. 3: (The Subliminal Verses) and produced .5: The Gray Chapter . Fidelman understood the band's dual need for suffocating heaviness and intricate layers.
The album uses eerie, industrial interludes like "Insert Coin" and "What's Next" to build an uncomfortable atmospheric tension.