The film follows Vivaan (Rajeev Khandelwal) and Siya Agasthi (Tena Desae), a young married couple struggling to make ends meet. They win a fully-sponsored, luxury vacation to the scenic islands of Fiji. Their dream holiday takes a dramatic turn when they meet Mr. Khan (Paresh Rawal), the charismatic owner of the resort.

as Siya Agasthi: The wife who finds herself trapped in the lethal game. Dhruv Ganesh

, a psychological thriller starring Paresh Rawal, Rajeev Khandelwal, and Tena Desae.

is a high-stakes Bollywood psychological thriller directed by Aditya Datt, featuring an impressive cast including Paresh Rawal, Rajeev Khandelwal, and Tena Desae . The film is celebrated for its gripping storyline, sharp plot twists, and a powerful social message about the devastating real-world consequences of college ragging (bullying).

: A financially struggling couple, Vivaan and Siya Agasthi, win an all-expenses-paid trip to Fiji. There, they are invited by the mysterious Mr. Khan to participate in a live-streamed game show for a massive cash prize. While the initial questions are easy, the tasks quickly become horrific, eventually revealing a dark secret from their past involving a fellow student they brutally bullied in college. Key Cast : Paresh Rawal as Abdul Razzaq Khan (the game show host). Rajeev Khandelwal as Vivaan Agasthi. Tena Desae as Siya Agasthi.

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Mr. Khan introduces them to a live-streamed game called , which features eight simple rules. The core mechanics are straightforward: Participants must answer personal questions truthfully. Participants must complete corresponding tasks.

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The film’s core strength lies in its third act, which elevates it from a standard thriller to a social drama. It is revealed that the game is a mechanism of retribution. Vivaan and Siya were not innocent victims but perpetrators of ragging (hazing) during their college years, an act that led to the ruin of a fellow student’s life. Mr. Khan is the father of that student, using his wealth and technology to exact a very specific kind of justice. This twist shifts the audience's allegiance, forcing them to question the nature of guilt and punishment. It suggests that while the law may have a statute of limitations, conscience does not.

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