The 18 standard tracks were selected by Wainwright himself, along with his publicist and Neil Tennant of the Pet Shop Boys. Core Tracklist Highlights
Released in March 2014, Vibrate: The Best of Rufus Wainwright was the first official career-spanning retrospective of his work. The album's title is a clever nod to a key track from his 2003 album Want One , but it also perfectly captures the emotional resonance of his songwriting. The collection features 18 standout songs that define his career, curated from his first six studio albums, alongside a brand new recording: the sultry, Bowie-esque pop-rock ballad "Me and Liza," co-written with longtime collaborator Guy Chambers.
Rufus Wainwright’s 2014 compilation album, Vibrate: The Best of Rufus Wainwright , serves as a definitive roadmap through the first generations of an extraordinary musical legacy. Released in FLAC (Free Lossless Audio Codec), this collection elevates Wainwright’s signature "Popera" style, allowing audiophiles to experience the intricate layers, sweeping orchestral arrangements, and raw emotional vulnerability of his career-defining work. The Architecture of Popera
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A nostalgic, jazzy tune that perfectly captures the hedonism and melancholy of his early career. Rufus Wainwright - Vibrate Best Of -2014- -FLAC...
| Disc | Track | Song Title | | :--- | :--- | :--- | | | 1 | Going To A Town | | | 2 | Out Of The Game | | | 3 | Me And Liza | | | 4 | Hallelujah | | | 5 | Oh What A World | | | 6 | April Fools | | | 7 | Poses | | | 8 | Cigarettes And Chocolate Milk | | | 9 | Vibrate | | | 10 | The One You Love | | | 11 | I Don't Know What It Is | | | 12 | The Art Teacher | | | 13 | Go Or Go Ahead | | | 14 | Dinner At Eight | | | 15 | Foolish Love | | | 16 | Sometimes You Need | | | 17 | Grey Gardens | | | 18 | Tiergarten | | Deluxe Bonus (Disc 2) | 2-1 | Bitter Tears | | | 2-2 | The Maker Makes | | | 2-3 | Across The Universe | | | 2-4 | Complainte De La Butte | | | 2-5 | Chelsea Hotel No.2 | | | 2-6 | Chic And Pointless | | | 2-7 | WWIII | | | 2-8 | Jericho (Live From The Artists Den) | | | 2-9 | Montauk (Live From The Artists Den) | | | 2-10 | If Love Were All (Live At Kenwood House) | | | 2-11 | Do It Again (Live At Kenwood House) | | | 2-12 | Zing! Went The Strings Of My Heart (Live At Kenwood House) | | | 2-13 | Memphis Skyline (Live At Kenwood House) | | | 2-14 | Martha (Live At Kenwood House) | | | 2-15 | One Man Guy (Live At KCRW) | | | 2-16 | BBC Interview |
No discussion of Rufus Wainwright is complete without his iconic rendition of Leonard Cohen’s Originally recorded for the Shrek soundtrack, Wainwright’s version stripped away the synthesized production of Cohen's original, replacing it with a pure, devotional piano-and-vocal performance. In FLAC, the crispness of his vocal delivery and the decay of the piano notes create a church-like acoustics experience. 2. Melancholy Masterpieces
For fans of vocal jazz, traditional pop, and chamber music, Rufus Wainwright - Vibrate: The Best Of (2014) [FLAC] is an essential addition to any digital library. Wainwright’s voice—a rich, reedy, operatic tenor—is an instrument that thrives on high-resolution playback. When listening in lossless quality, the breath control, the subtle vibrato, and the sheer theatrical power of his performances are delivered exactly as the artist and engineers intended in the studio. It is a brilliant testament to a singular voice in twentieth and twenty-first-century music. To help tailor more insights or recommendations, tell me:
Rufus Wainwright stands as one of the most distinct, unapologetically ambitious singer-songwriters of the modern era. Blending baroque pop, operatic grandiosity, and intimate confessional songwriting, his catalog is a rich tapestry of emotional highs and lows. In 2014, this sprawling genius was meticulously distilled into Vibrate: The Best Of Rufus Wainwright . For audiophiles and music purists, experiencing this compilation in FLAC (Free Lossless Audio Codec) format is not just a listening preference—it is the definitive way to experience the immense scale of Wainwright’s artistry. The Auditory Architecture of Rufus Wainwright The 18 standard tracks were selected by Wainwright
The compilation highlights Wainwright's early gift for dense, piano-driven arrangements. Tracks like "Going to a Town" showcase his willingness to inject fierce political commentary into gorgeous, sweeping melodies. The devastating simplicity of "Dinner at Eight"—a painful, beautiful exploration of his tumultuous relationship with his father—remains one of the most emotionally vulnerable songs ever recorded. The Hits and the Anthems
A major draw for long-time fans was the inclusion of "," a previously unreleased track co-written with Guy Chambers. The song addresses Wainwright’s complex relationship with Liza Minnelli and the broader "showbiz" legacy he was born into as the son of folk legends Loudon Wainwright III and Kate McGarrigle. Album Review: Rufus Wainwright - Vibrate: The Best of
The collection takes listeners on a journey through Wainwright's extensive discography, showcasing his growth and evolution as an artist. From his earlier, more introspective work to his later, more experimental releases, offers a comprehensive look at Wainwright's remarkable career.
The music shifts radically from whisper-quiet piano ballads ("The Art Teacher") to explosive, theatrical crescendos ("April Fools"). Lossless audio preserves the full dynamic range, ensuring the quiet moments maintain their emotional intimacy without being drowned out by digital hiss, and the loud climaxes hit with their intended cinematic impact. Legacy and Verdict The collection features 18 standout songs that define
Chart-wise, Vibrate fared modestly, reaching number 39 on the UK Official Albums Chart. This was no great surprise, as Wainwright is an artist with a "Best Of" rather than a "Greatest Hits" album. Regardless, Vibrate stands as a testament to his enduring talent and charisma, and is a must-listen for anyone looking to be swept away by the magic of his music.
Wainwright is often labeled a "singer-songwriter," but that fails to capture the breadth of his work. He is a modern-day troubadour, deeply influenced by opera, cabaret, and the Great American Songbook.
To understand the weight of Vibrate , one must understand the era from which these songs emerged. Emerging in the late 1990s, Rufus Wainwright rejected the minimalist grunge and manufactured teen-pop of the era. Instead, he leaned into what critics labeled "Baroque Pop"—a lavish sonic landscape filled with brass sections, sweeping strings, intricate piano arrangements, and complex harmonic layers.